I spent this afternoon at a "Learning through Stories" workshop, organised by our Centre for Learning and Teaching. The idea was that anyone across the university could share their experience in using stories - in whatever context. As a result, we got a really interesting mix of 6 different sessions (mini write-ups below). The audience was mixed too (academics from the Business School, Education, Media and Nursing and staff involved in staff development, student support etc).
The afternoon was successful - for those of you at Brighton you can continue the conversation
on the community. There is likely to be another event where we can see more examples, and also follow up on some of the below by co-coaching each other to share our experiences.
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Gina Wisker (Centre for Learning and Teaching) – Encouraging reflective professional practice through storytelling
Gina talked about storytelling as a technique to help students reflect, to engage and to anticipate problems. This works in teaching as well as for professional development. By talking through what has happened as a story you can retell it with different endings - 'what if?' to try and find a resolution.
Gilly Smith (Journalism/Broadcast Media) - The constraints of professional language on business and academia.
Gilly talked about the importance of "I" in journalism, and how the constraints of academic writing mean however passionate you are about your work you remove yourself from it in the write-up. She observed that academics are untrained in telling stories and to recognise who they themselves are within a story.
She talked about the power of encapsulating an idea (e.g. an abstract) in 60 words - a good exercise to do to show you really know what the work is about. She reminded us to use: Who, what, where, when, why, how and so what? as questions to ask in our writing.
We digressed onto twitter and the skill of encapsulating what you want to say in 160 characters, but also recognised the importance of the richness of detail in some contexts.
Angela Rogers (Creativity Researcher) - Methods that use imagery to generate stories and elicit personal narratives
Angela gave us three image based strategies to trigger, support and generate stories. The first was to look at challenging images (like this):

..and try and find a who, what, where, when and why. (It turns out this is a tradition in Spain for the jumping 'devil' to protect these children from hernias...).
The second example involved ordering a series of photos into a storyline, where there was no correct answer. We all tried to make vaguely real and sensible stories, but Angela reminded us we can fill in the gap between one photo and the next with whatever we wanted - murder, aliens etc.
The last technique was a minimal pre-prepared storyboard. Her example was for students about to go on their first teaching placement. The students got to annotate and detail the storyboard to work through their feelings of what they were to embark on the next day.
Katie Piatt (Academic Computing) - Games based learning, and using stories to increase engagement.
Yes, this was me talking about Alternate Reality Games - regular readers have already read plenty about that topic ;-}
Laetitia Zeeman (Nursing) - Examples (from practice) of how to use stories in a healing context i.e. narrative therapy.
Laetitia gave us a series of questions that can be used in one to one therapy conversations to help people build up a rich affirmative story of events in their lives. The therapist can help co-construct an alternative account by following different conversational paths.
David Simpson (Education) - Discussion on connections between drama and writing in all genres
David got us doing some role exercises, using a teacher-in-role technique to get students comfortably talking about complex topics. By taking centre stage in the role play himself it put the students (us!) more at ease. The effort is on the part of the lecturer to prepare the situation and the roles in order to not simplify a discussion to 'for and against' but to allow the conversation to include a full spectrum of shades, then when the students come to writing they have much more to draw on.